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The ascii value of a character is translated to a binary number that can be used to set bits in an output stream. This stream can then be read as midi data. To use this, a midi file needs to be generated before the input. Each character can then be executed as:
sputter > outfile.midi
The input string ” istosp “, for example, would then be translated into midi according to the following table.
Code output in ascii ascii decimal ascii decimal binary bits set in output binary inoutout in 0 0 1 10 0 010 0 100
1 – – – – – – – – – – – – – –
3 – – – – – – – – – – – – – –
4 – – – – – – – – – – – – – –
5 – – – – – – – – – – – – – –
6 – – – – – – – – – – – – – –
7 – – – – – – – – – – – – – –
8 – – – – – – – – – – – – – –
9 – – – – – – – – – – – – – –
10 – – – – – – – – – – – – – –
4 = 1010
5 = 00100
6 = 00001
7 = 00010
8 = 00000
9 = 00001
10 = 01000
10 = = = = = = = = = = =
The output stream consists of 13 channels of midi: channel 0, channel 1, channel 2,… channel 12 and channel 13. The last two channels are used to output general midi-synthesis timings, namely the time which the sound output starts and stops. Each channel can be read as midi data with the following command:
sputter > outfile.midi
An example on how to use this application is found below.
—Command Line Arguments—
str: The text to be translated into midi. Any nonprintable characters are left untouched, including newlines.
Comes with the following default:
istosp str
if no arguments are given, a document containing a list of the available characters with their ascii codes is displayed. This list contains the characters that can be used to generate midi sounds. 70238732e0

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It consists in two stages.
First, the signal is processed into a frequency domain.
Second, it is run through a standard FIR lowpass filter to emulate the filter on the original SEM
and to have a clearer separation between notes and harmonics.
To get the best results, the filter should be set to the desired sound (too low for a fat synth, too high for a clean sound).
As for the lowpass filter parameters, the more samples there are, the more precise the emulation will be.
However, the filter will be more heavy.
Optimized for Audio MIDI:
No AD conversion is done, meaning that sample rate and offset have no impact on the plugin.
However, the default settings are 8-bit, 44.1 kHz and -20,50. The plugin will adjust its settings based on these.
Kernel:
8.05e-35 in frequency domain
1.67e-05 in time domain
Switches:
– Number of samples (300, 500, 600, 700, 800)
– Feedback (0.1, 0.5, 1, 1.5, 2, 3, 4)
– Convolution type (sinc, lanczos, multi-tap)
– Lowpass filter type (bandpass, allpass, 2nd order IIR)
Supported sample rates:
– 8 bit (44.1 kHz)
– 12 bit (48 kHz)
– 16 bit (96 kHz)
Supported note ranges:
– Lower C (C4) up to C5
– Lower E (E4) up to E5
– Lower G (G4) up to G5
– Lower F (F4) up to F5
– Lower A (A4) up to A5
– Lower B (B4) up to B5
– Lower C (C5) up to C6
– Lower E (E5) up to E6
– Lower G (G5) up to G6
– Lower F (F5) up to F6
– Lower A (A5) up to A6
– Lower B (B5) up to B6
– Lower C (C6) up to C7
– Lower E (E6) up to E7
– Lower G (G6) up to G7
– Lower F (F6) up to F7
– Lower A (

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