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I’m in the last months of recording a solo piano album, to be finished in July. I’ve used Pianoteq 4.5 to record it, mainly because I like its classical pianos a lot (I once recorded a classical album with Mojotone , another DAW that is extremely similar to Pianoteq.)
But I don’t want to record everything – I want to record the strings, too! The strings sound just perfect in “Studio” mode; but switching to “Classical” mode, the timbre of the strings is changed. I know I could change the parameters of the strings manually, but I’m looking for a proper solution to this. Any hints?
There is now an (offline) mosaic downloader which automatically and seamlessly downloads all the patches you need to get going. Pianoteq will install the patches automatically and assign them to the patches you choose. You can get going now, even if you only have the Grotrian and the Blthner grands. Other available instruments can then easily be bought via the online store, and assigned to the patch you are using.
A ‘joystick’ auto-sizing function lets you resize the simulation to the dimensions of your controller’s joystick, if your controller can do it. This is a very useful thing. Of course, if you have a MIDI controller with a small joystick, youll have to force it if you want the simulation to match it. But for controllers with a large one, theres no reason not to make them work to their full extent, without forcing.
Thanks to new borrowing features, now you can download and play back with Pianoteq not only from the online store but from other users too. For example, you can play the piece you just bought, with any patching you had, back at that other piano, if theyre online or available offline. It works with any patching software with a MIDI output. Right now, you can buy it from us from wherever you are, or from this local store. There is no time limit on this transfer, so if theres a gig or something you need it for, you can always buy it back.
Theres always a twist, and in this instance you do really need to have a child/grandchild to download and activate this version: theres now a so-called red button license embedded in the innstrument which you can use to unlock the full version. You do have to register a one-off, and you also need to take advantage of existing Steinway instruments to get the full Pianoteq experience; but what else are you going to do with a 3.7GHz i5 PC, 16GB of RAM and a decent graphics card?
Theres no getting away from the fact that most of the 18 presets work well and sound good. You can make a convincing case that if youre going to spend only a few weeks mastering pianos, at least 3 is enough, and there are some very nice sounding ones already in theres. Amongst the other instruments I find the sound of my Vintage Instruments Gungaree excellent, and the Soundfont Noises of the analog mixer very useful, if somewhat clunky-feeling.Noise instruments, in particular, went bang on time; they feel fun, live and loud, and genuinely characterful, in a way that rivals any of the slapback guitar amps! Of the remaining 19, the MACpi in the synth, was excellent, the digital pianos not quite so good.Its strange how different the Veyron Blues Melodica in 5 and 6 are to each other; in 5, theres almost an oyster-like quality, with all kinds of suggestive grit and roughness in the attack; 6, by comparison, is very liquid. Both sounds work well. The Forte Jacontro in the Straps cymbals can be a bit noisy, and the old upright sounded tame by comparison to Pianoteqs 6. I found the Vintage Analog Minimoog the highlight of the set of over 200, particularly as it set apart the sound of an electric piano from the others. The simple androgynous sound of the Vintage Transfomer Synthesizer in 5 and 6 was very fine, and the Octave Fader stacks were a handy little tool.